It is doubtless very savage that kind of valor of the old Northmen. Snorro tells us they thought it a shame and misery not to die in battle; and if natural death seemed to be coming on, they would cut wounds in their flesh, that Odin might receive them as warriors slain. Old kings, about to die, had their body laid into a ship; the ship sent forth, with sails set and slow fire burning it; that, once out at sea, it might blaze up in flame, and in such manner bury worthily the old hero, at once in the sky and in the ocean! Wild bloody valor; yet valor of its kind; better, I say, than none. In the old Sea-kings too, what an indomitable rugged energy! Silent, with closed lips, as I fancy them, unconscious that they were specially brave; defying the wild ocean with its monsters, and all men and things;--progenitors of our own Blakes and Nelsons! No Homer sang these Norse Sea-kings; but Agamemnon's was a small audacity, and of small fruit in the world, to some of them;--to Hrolf's of Normandy, for instance! Hrolf, or Rollo Duke of Normandy, the wild Sea-king, has a share in governing England at this hour.
Nor was it altogether nothing, even that wild sea-roving and battling, through so many generations. It needed to be ascertained which was the _strongest_ kind of men; who were to be ruler over whom. Among the Northland Sovereigns, too, I find some who got the title _Wood-cutter_; Forest-felling Kings. Much lies in that. I suppose at bottom many of them were forest-fellers as well as fighters, though the Skalds talk mainly of the latter,--misleading certain critics not a little; for no nation of men could ever live by fighting alone; there could not produce enough come out of that! I suppose the right good fighter was oftenest also the right good forest-feller,--the right good improver, discerner, doer and worker in every kind; for true valor, different enough from ferocity, is the basis of all. A more legitimate kind of valor that; showing itself against the untamed Forests and dark brute Powers of Nature, to conquer Nature for us. In the same direction have not we their descendants since carried it far? May such valor last forever with us!
That the man Odin, speaking with a Hero's voice and heart, as with an impressiveness out of Heaven, told his People the infinite importance of Valor, how man thereby became a god; and that his People, feeling a response to it in their own hearts, believed this message of his, and thought it a message out of Heaven, and him a Divinity for telling it them: this seems to me the primary seed-grain of the Norse Religion, from which all manner of mythologies, symbolic practices, speculations, allegories, songs and sagas would naturally grow. Grow,--how strangely! I called it a small light shining and shaping in the huge vortex of Norse darkness. Yet the darkness itself was _alive_; consider that. It was the eager inarticulate uninstructed Mind of the whole Norse People, longing only to become articulate, to go on articulating ever farther! The living doctrine grows, grows;--like a Banyan-tree; the first _seed_ is the essential thing: any branch strikes itself down into the earth, becomes a new root; and so, in endless complexity, we have a whole wood, a whole jungle, one seed the parent of it all. Was not the whole Norse Religion, accordingly, in some sense, what we called "the enormous shadow of this man's likeness"? Critics trace some affinity in some Norse mythuses, of the Creation and such like, with those of the Hindoos. The Cow Adumbla, "licking the rime from the rocks," has a kind of Hindoo look. A Hindoo Cow, transported into frosty countries. Probably enough; indeed we may say undoubtedly, these things will have a kindred with the remotest lands, with the earliest times. Thought does not die, but only is changed. The first man that began to think in this Planet of ours, he was the beginner of all. And then the second man, and the third man;--nay, every true Thinker to this hour is a kind of Odin, teaches men _his_ way of thought, spreads a shadow of his own likeness over sections of the History of the World.
Of the distinctive poetic character or merit of this Norse Mythology I have not room to speak; nor does it concern us much. Some wild Prophecies we have, as the _Voluspa_ in the _Elder Edda_; of a rapt, earnest, sibylline sort. But they were comparatively an idle adjunct of the matter, men who as it were but toyed with the matter, these later Skalds; and it is _their_ songs chiefly that survive. In later centuries, I suppose, they would go on singing, poetically symbolizing, as our modern Painters paint, when it was no longer from the innermost heart, or not from the heart at all. This is everywhere to be well kept in mind.
Gray's fragments of Norse Lore, at any rate, will give one no notion of it;--any more than Pope will of Homer. It is no square-built gloomy palace of black ashlar marble, shrouded in awe and horror, as Gray gives it us: no; rough as the North rocks, as the Iceland deserts, it is; with a heartiness, homeliness, even a tint of good humor and robust mirth in the middle of these fearful things. The strong old Norse heart did not go upon theatrical sublimities; they had not time to tremble. I like much their robust simplicity; their veracity, directness of conception. Thor "draws down his brows" in a veritable Norse rage; "grasps his hammer till the _knuckles grow white_." Beautiful traits of pity too, an honest pity. Balder "the white God" dies; the beautiful, benignant; he is the Sungod. They try all Nature for a remedy; but he is dead. Frigga, his mother, sends Hermoder to seek or see him: nine days and nine nights he rides through gloomy deep valleys, a labyrinth of gloom; arrives at the Bridge with its gold roof: the Keeper says, "Yes, Balder did pass here; but the Kingdom of the Dead is down yonder, far towards the North." Hermoder rides on; leaps Hell-gate, Hela's gate; does see Balder, and speak with him: Balder cannot be delivered. Inexorable! Hela will not, for Odin or any God, give him up. The beautiful and gentle has to remain there. His Wife had volunteered to go with him, to die with him. They shall forever remain there. He sends his ring to Odin; Nanna his wife sends her _thimble_ to Frigga, as a remembrance.--Ah me!--
For indeed Valor is the fountain of Pity too;--of Truth, and all that is great and good in man. The robust homely vigor of the Norse heart attaches one much, in these delineations. Is it not a trait of right honest strength, says Uhland, who has written a fine _Essay_ on Thor, that the old Norse heart finds its friend in the Thunder-god? That it is not frightened away by his thunder; but finds that Summer-heat, the beautiful noble summer, must and will have thunder withal! The Norse heart _loves_ this Thor and his hammer-bolt; sports with him. Thor is Summer-heat: the god of Peaceable Industry as well as Thunder. He is the Peasant's friend; his true henchman and attendant is Thialfi, _Manual Labor_. Thor himself engages in all manner of rough manual work, scorns no business for its plebeianism; is ever and anon travelling to the country of the Jotuns, harrying those chaotic Frost-monsters, subduing them, at least straitening and damaging them. There is a great broad humor in some of these things.
Thor, as we saw above, goes to Jotun-land, to seek Hymir's Caldron, that the Gods may brew beer. Hymir the huge Giant enters, his gray beard all full of hoar-frost; splits pillars with the very glance of his eye; Thor, after much rough tumult, snatches the Pot, claps it on his head; the "handles of it reach down to his heels." The Norse Skald has a kind of loving sport with Thor. This is the Hymir whose cattle, the critics have discovered, are Icebergs. Huge untutored Brobdignag genius,--needing only to be tamed down; into Shakspeares, Dantes, Goethes! It is all gone now, that old Norse work,--Thor the Thunder-god changed into Jack the Giant-killer: but the mind that made it is here yet. How strangely things grow, and die, and do not die! There are twigs of that great world-tree of Norse Belief still curiously traceable. This poor Jack of the Nursery, with his miraculous shoes of swiftness, coat of darkness, sword of sharpness, he is one. _Hynde Etin_, and still more decisively _Red Etin of Ireland_, _in_ the Scottish Ballads, these are both derived from Norseland; _Etin_ is evidently a _Jotun_. Nay, Shakspeare's _Hamlet_ is a twig too of this same world-tree; there seems no doubt of that. Hamlet, _Amleth_ I find, is really a mythic personage; and his Tragedy, of the poisoned Father, poisoned asleep by drops in his ear, and the rest, is a Norse mythus! Old Saxo, as his wont was, made it a Danish history; Shakspeare, out of Saxo, made it what we see. That is a twig of the world-tree that has _grown_, I think;--by nature or accident that one has grown!
In fact, these old Norse songs have a _truth_ in them, an inward perennial truth and greatness,--as, indeed, all must have that can very long preserve itself by tradition alone. It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul. There is a sublime uncomplaining melancholy traceable in these old hearts. A great free glance into the very deeps of thought. They seem to have seen, these brave old Northmen, what Meditation has taught all men in all ages, That this world is after all but a show,--a phenomenon or appearance, no real thing. All deep souls see into that,--the Hindoo Mythologist, the German Philosopher,--the Shakspeare, the earnest Thinker, wherever he may be: